By Steve Carter
Directed by Brandon J. Dirden - Scenic Designer: George Zhou 周亦扬 - Props Supervisor: Jen McClure - Associate Props Supervisor: Angie Hause
Designed and Fabricated by: Zach Faber
Directed by Alexis Kulani Woodard - Costume design (Trident designer): by Lyle Laize Qin 秦莱泽 - Fight and intimacy direction by Kelsey Rainwaterand Michael Rossmy - Props Supervisor & Painter: Judith Villalva - 3D modeler and Fabricator: Zach Faber
Rubber TPU Print Heads, wooden shaft. Stage combat viable
By Hilary Bettis
Directed by May Adrales - Scenic Designer: Beowulf Boritt - Props Supervisor: Jen McClure - Associate Props Supervisor: Matteo Lanzarotta
By Hilary Bettis
Directed by May Adrales - Scenic Designer: Beowulf Boritt - Props Manager: Jen McClure - Associate Props Manager: Matteo Lanzarotta
The Far Country, by Lloyd Suh - Directed by Ralph B. Peña - Scenic Designer: Kim Zhou - Costume Designer: Kiyoshi Shaw - Hair Designer: Matthew Armentrout - Lighting Designer: Yichen Zhou - Projection Designer: Hana S. Kim - Technical Director: Matteo Lanzarotta - Props Supervisor Nickie Dubick - Associate Props Supervisor: Jen McClure -Photo © T. Charles Erickson
Used Steel Rod reinforced 3D prints to seamlessly extend the organic bamboo legs on the chair
Used to visualize all of our equipment for the new building.
Designed and Fabricated by Zach Faber
Engineered and Fabricated by Zach Faber. Designed with wheel chair use in mind.
Designed and Fabricated by Zach Faber
By Luis Alfaro - Directed by Laurie Woolery - Scenic Designer: Marcelo Martínez García - Costume Designer: Kitty Cassetti - Wig Designer: Krystal Balleza - Lighting Designer: Stephen Strawbridge - Props Supervisor: Bennet Goldberg - Associate Props Supervisor: Jen McClure - Photo © Joan Marcus.
Folding table mechanism, Chair distress painting, Bloody Machete
By the 1491s - Directed by Eric Ting - Scenic Designer: Regina García - Costume Designer: Lux Haac - Lighting Designer: Elizabeth Harper - Technical Director: Cameron Camden - Props Supervisor: Jen McClure - Associate Props Supervisor: Luanne Jubsee
Rock covered in paper so the actor could step through it. Eagle head mounted to Turkey body.
By Tarell Alvin McCraney - Directed by Christopher D. Betts - Scenic Designer: Anna Grigo - Props Supervisor: Jen McClure - Associate Props Supervisor: Nic Benavides
Repair 3D mesh and 3D printed and assembled bust.
By Susan Soon He Stanton - Directed by Mina Morita - Scenic Designer: Bridget Lindsay - Costume Designer: David Mitsch - Lighting Designer: Nicole E. Lang - Hair Designer: Matthew Armentrout - Technical Director: Dani Mader - Props Supervisor: Jen McClure - Associate Props Supervisor: Kelly O’ Loughlin - Photo © Adam Tolbert
Made it so the desk could be wheel-barrowed on & off stage and constructed car seat wagon w/ spring loaded casters and removable steering wheel.
By Mary Kathryn Nagle - Directed by Laurie Woolery- Scenic Design: Mariana Sanchez - Costume Design: Stephanie Bahniuk - Lighting Design: Emma Deane - Technical Director: Yaro Yarashevich - Props Supervisor: Jen McClure - Associate Props Supervisor: Tiago Rodrigues - Photo © Joan Marcus
Built a reinforced table for actors to jump on. Fabricated a A Dutch Fish Tail Matchlock Musket.